CD Violin Sonatas from Switzerland and Brazil (released in January 2024)
... Renato Wiedemann has compiled some fascinating material. I find the concept truly horizon-expanding. Wiedemann demonstrates that the world of classical music becomes even more interesting when you explore beyond the familiar, perhaps even outside of Western Europe. But what I especially admire is his incredibly moving playing style, the rich variety of moods and emotions he evokes. This is truly a highly recommended album. (Dr. Lea Hagmann, Musicologist, Radio DRS 2 Kultur, Live 23.03.24)
... This multi-layered program encourages repeated listening, as Wiedemann and Bokor have embraced the music with great affection without drowning in emotion. ... The performers create this music by delicately listening to the nuances and emotional states, remaining close to the subject without allowing themselves to be drawn in. ... Wiedemann and Bokor show that they can create expressive music with particular elegance. (CD Auszeichnung: Supersonic picciato-Award, Uwe Krusch piccicato.lu, 02.02.2024
... This CD is worth it for one reason alone: the density of repertoire gems is sensational, offering even seasoned classical aficionados the chance to discover something new. On top of that, the musical interpretation on this CD is absolutely worth listening to. Wiedemann and Bokor approach this music—most of it composed in the first half of the 20th century—with dedication, illuminating the works of classical modernism with vigor and clarity. Operating within the tension between late Romanticism and modernity, this music occasionally has a somewhat sharper edge, yet it remains deeply sensual. Wiedemann and Bokor excel at bringing out this tension, blending seamlessly as musical partners and capturing the essence of this truly fascinating repertoire. The fact that this music remained more or less overlooked for so many years is genuinely incomprehensible—especially after hearing this outstanding recording. (Guido Krawinkel, Klassik-heute-de, 25.02.2024)
Soloist Concert at the KKL with the Lucerne Symphony Orchestra, conducted by James Gaffigan (16.06.2021)
... Dmitri Shostakovich's Violin Concerto Op. 129 possesses a captivating pull that seems particularly well-suited to violinist Renato Wiedemann. His opening notes in the Adagio, played alongside the deep strings, were profoundly expressive and formed a heartfelt connection with the solo flute. The interplay with the orchestra unfolded into a sensitive unity, building an intense dialogue with the clarinet, cello, and solo horn. Wiedemann’s variable tone, ranging from glassy darkness to radiant heights and robust double stops, was always infused with an intensity that pushed the boundaries of what is playable. Both the violinist and the orchestra delivered an irresistibly powerful and compelling interpretation of Shostakovich's sound world. (Luzerner Zeitung vom 18.06.21,Gerda Neunhoeffer)
Violin Recital at the Mirror Hall, Museum of Arts and Crafts, Hamburg (28.2.2019)
... A musical highlight, carried by personal charisma and an exceptional level of artistry, both in technique and interpretation … the impressive dramatic intensity that seemed to almost lift one out of their seat … then those heartfelt, exquisitely beautiful pianissimi, and, as the crowning touch, the captivating passages brimming with dramatic expressiveness … One of the finest interpretations on this instrument that the writer has experienced in a long time. Thank you for this truly uplifting evening. (Ihr Opernratgeber, Editor: Sven Godenrath)